That Drifting Poo Was Way Too Symbolic! It's the TV Letdowns of the Year.

Looking back, we reflect on the TV landscape of the past year, a selection of series emerge not for their excellence, but for their spectacular shortcomings. Ranging from awkward sequels to bafflingly bad documentaries, here are the productions that had us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Burdened with dreadful writing, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to find its footing. Briefly, as the final series began, it seemed as if it had at last found its groove. Then came an installment all about Seema’s natural deodorant. No wonder the creator announced this would be the last series. It concluded on a bum note; the lingering shot of Miranda’s toilet full of poo was simply too symbolic. Yet, viewers certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this show's problems. The recipient of a exceedingly uncommon no-star assessment, it was hard to know where to begin listing the flaws. The laughably wooden writing? The tedious veneration of affluence and materialism? The almost deliberate parade of cliches? Performances so bad they felt almost spiteful? Suffice it to say “all of the above” and never speak of this show again. However, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse claims and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part docuseries which smirked its way at Sheen’s various bouts of self-destructive excess while struggling to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any pity this show might induce should be saved for the people who have had to endure close contact with this charming but dismissive narcissist.

The Supercomputer Drama

Of course we knew it was preposterous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Shady characters meeting in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many look a little dated now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were many other issues. Mainly that it was just really dull; a dispute over narcotics territory between various London picaresques which felt a bit basic.

The Meghan Markle Series

Given the extent to which she provokes the ire of certain performatively enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s various ventures into quaint lifestyle as deliberate provocations. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a homeware magazine animated; a poster for wine o’clock with ideas of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by vast, largely unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for some reason, this three-part series opted not to explore them. Rather, the experience was akin to consuming a sales brochure. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.

The Game Show

It should have been the next cultural phenomenon – except even camper, with a glamorous star playing dead and a well-known personality managing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too confusing to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The pressure was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of famous cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented younger comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The writing room sketches, in contrast, simply provoked the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled with care. Rather, the series struggled painfully to find the right tone, lumbering from strangely jaunty, slightly mannered farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This globe-trotting thriller about secret services spying on – and eliminating – academics frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for sexual escapades as she undertook her most extreme challenge yet. What on earth would motivate her? What we craved was far greater examination of her actual psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to drag her son away from the queue. What we got was disturbing shots and zero critical analysis of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.

Elizabeth Carter
Elizabeth Carter

A tech journalist and innovation strategist with over a decade of experience covering emerging technologies and digital transformation.

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